On Returning to The Last Wife, by Bahia Watson

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It’s always new. With theatre, with great writing, it’s always new. Old choices have to be reconsidered, new choices have to be made. Every moment has to be navigated through; feelings found again. This is a good thing.

It’s been over a year since we premiered and closed The Last Wife at the Stratford Festival and a lot of evolution (or devolution) can happen in a trip around the sun. While we are blessed to be reunited with almost the entire star-filled company, the truth doesn’t stay put, that’s what I’m learning. Truth moves as context widens with time, for those who pay attention. The world is different today than it was when we first dove into the court of the Tudors and the life and often neglected contributions of Katherine Parr. For myself, I can say that my relationship to, and understanding of, power structures have broadened (for one…

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